Or keep it subtle to enhance the rhythm of the track-whatever works for your mix! 5. Using both controls at once, you can create an extreme effect. Turn up the attack to increase the impact of the hits, or turn up the sustain to hear more background air and ambience. In fact, those are the two controls you’ll find on the classic SPL plugin! It’s famous for the way it can totally transform the sound of a beat or drum track.Ī good way to think of it is sculpting the balance between the attack and sustain of the sound. The transient designer is a unique dynamics processor that lives somewhere in between compression and expansion. The 15 IPS setting will roll off some top end, which can help with harsh cymbals or ambience. Then I experiment with different tape speeds to see what fits into the mix.
I usually start by driving the input to hear a bit of the saturation effect. The best part is that the plugin is super easy to use. If you just need to sweeten the midrange of your drum bus and introduce some gentle compression and clipping, Slate VTM is a great choice.įor drum compression, the punchiest settings generally use a slow attack time to allow the transients to pass through. Slate Digital’s take on the magic of tape has been around since 2012, but it’s still a great option for the gentle, pleasing saturation of vintage recording gear. Get the tools to shape your sound with 30+ synths, instruments, effects and utilities plugins from industry leaders like Arturia, UJAM and more.
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